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February 19 & 20, 2026, 7.30pm So what remains? The release technique and contact improvisation of Steve Paxton's solo works, set to the music of Johann Sebastian Bach, and the flowing, complex dances of Trisha Brown, which continue to exude physical appeal.
But what of his quiet presence, personal storytelling and meditation? What of his contemplative movement practice with Barbara Dilley and his queer political activism?

February 21 - 22, 7.30pm This piece embarks on a dynamic exploration, blending movement, voice, and sound, inspired by the ancient theory of the four humours. Rooted in Greek and Roman medical traditions, these humours symbolize the balance of bodily fluids and the distinct temperaments they embody. By investigating the interplay of these elements within this thematic framework—where voice and sound may be seen as extensions of movement—Swap seeks to unravel the layers of human expression. Through the fusion of voice and movement, it delves into the intricate complexities of identity.

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