Institut für Neue Soziale Plastik presents two performances: one by emerging young dancers and the other by established, mature artists. Together, they represent two complementary tendencies within the renowned contemporary Tel Aviv–Yafo dance scene.
Three short expressive and finely shaped pieces are followed by a longer introspective and intimate one, articulating an evening in opposing directions.
Hila Nachshonov’s short solo, duo, and trio choreographies were created within the framework of Suzanne Dellal’s acclaimed "1|2|3 platform for emerging choreographers".
Credit: Part 1
Choreography: Hila Nachshonov
Dance: Hila Nachshonov, Shira Glinka, Stav Azari
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short introduction
After the duo, and before the trio performances of the first part, a short introduction about the 1|2|3 platform for emerging choreographers will be presented by Tamir Eting, assistant artistic director of the Suzanne Dellal center for Dance and Theater.
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Sharon Zuckerman’s longer Adam & Id is an “existential performative trip of two mature dancers” where the audience is invited to peep into the split of being inside oneself while facing the world outside.
Credit: Part 2
Choreography: Sharon Zuckerman Weiser
Dance: Sharon Zuckerman Weiser, Moshe Shechter
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A production by Institute for New Social Sculpture, funded by the Action Fund against Anti-Semitism of the Berlin Senate Department for Culture and Social Cohesion. In cooperation with the Suzanne Dellal Centre.
Duration: 90 min
Language: English
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Hila Nachshonov is a 24-year-old dancer and choreographer specializing in contemporary dance and hip hop. Graduate of the “Sadna” dance program of Kibbutz Ga’aton. Her work explores the intersection of musical structure, emotional depth, and physical precision. In 2025, Hila’s works for this evening were created during Suzanne Dellal Center’s “1|2|3” program for emerging choreographers.
Sharon Zuckerman Weiser, born 1977, is a dance-rooted artist: a choreographer and performer working across live performance, video, and installation. A P.A.R.T.S graduate and Bezalel MFA alumna, she treats dance as a mother tongue—using movement, text, and presence to build artificial situations for real encounter, and to test the tension between what is staged and what is lived.
