Carmen Suite. Project series

The choreographers Yeri Anarika, Christine Bonansea and Tanja Saban have spent many hours since the founding of DOCKdigital researching the connection between the body and digital art.
In workshops, they teach dancers and game designers how the digital 3D figure, which is detached from physical laws, gender, appearance, form and structure, differs from the real body in actual space. They show which artistic potentials open up and how movements are influenced by them.
Sound architectures are made possible by DOCKdigital's 8-channel multichannel sound system, combined with 8 65'' screens and video technology, an immersive space can be created.

Within the framework of Perspektive Kultur, the choreographers developed together with sound and 3D designers different projects.

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CinemaDance Multichannel installation aims to produce dance films that take themes, scenes, characters and ideas inspired from great works, starting with two pilot projects: "Three Sisters" by Anton Chekhov and "Carmen Suite," which emphasize purely human themes such as the longing for happiness and the search for identity, while connecting and associating contemporary issues.
CinemaDance aims to create works that reach audiences through a multi-channel installation projected on three immersive screens.

CinemaDance II
Multichannel Installation inspired by "Carmen Suite"

Idea / Direction: Yeri Anarika
With & by: Leonardo Laurent Mancuso *a. Selena
Musician / Teichmann Brothers

The value of being yourself!
Our protagonist has a life story to tell, which connects with Carmen's character in a personal and unique version.
Carmen breaks canons and boundaries and invents her identity and searches for that place where she belongs even if we don't know if we are ready to accept it. The multichannel film will allow us to approach an exciting and moving experience of a Non Binary Person, who is searching with finesse and courage to be himself and herself.

Presentation
coming soon!

The Project series is supported by the Senate Department for Culture and Europe within the framework of Perspektive Kultur.