*Date
Tuesday, November 11, 2025, 7 p.m.
Address:
EDEN Studio 300
Breite Strasse 43
13187 Berlin
Entrance via the EDEN Café, Breite Strasse 43, 13187 Berlin. You are welcome to take a seat in our EDEN Café before the concert begins and enjoy a drink to warm up for the musical evening.
Tickets: HERE
Pianist Nikolai Denisov invites you to a special concert featuring classical and contemporary music.
This program features not only works by great classical composers, but also modern pieces by Ludovico Einaudi, Yiruma, Gibran Alcocer, Philip Glass, and arrangements from well-known films and series from Netflix, Apple TV+, and HBO. Music from Dune and Game of Thrones is combined with classical masterpieces – a musical journey from the Baroque to the modern era.
Accessibility: The venue, EDEN Studio 300, is wheelchair accessible via the garden entrance. Accessible parking and restrooms are available. Seating, for example for wheelchair users, is available without prior reservation. Unfortunately, our drinks menu is not wheelchair accessible; please feel free to contact our on-site team so that a drink can be brought to you if required.
Nikolai Denisov
Nikolai Denisov received his initial training at the renowned Gnessin Music Academy in Moscow. His search for personal expression and musical home led him to Germany, where he studied at the Alfred Schnittke Academy International Hamburg and the Rostock University of Music and Theatre. As a qualified concert pianist, Nikolai Denisov is now active in many roles: as a soloist, chamber musician, accompanist, répétiteur, and piano teacher.
Since 2018, he has been a scholarship holder of the Jehudi Menuhin "Live Music Now" Rostock association, which has enabled him to expand his repertoire beyond classical music to include works from film, pop, jazz, and contemporary compositions. In 2019, Nikolai Denisov and his fellow students were awarded the "HMT INTERDISCIPLINARY" prize.
Nikolai Denisov excels at making his playing colorful, expressive, and with a keen sense of atmosphere. His music should not only be heard, but experienced – with all the senses and in harmony with the audience’s sense of time.