Luana Rossetti

Luana Rossetti is an Italian professional Dancer, emergent Choreographer, international dance Teacher, actress and Author based in Berlin. Graduated at ArtEZ Dans conservatoir, the Netherland, since before even graduation, Luana has stared her dancing career with some of the most known Companies and Choreographers as Nord/West Tanzcompagnie Oldenburg, Skånes Danstheater, Constanza Macras – Dorky Park, Oxymoron DC, Troubleyn-Jan Fabre, Ballet van Leth Production, Heike Hennig & Co, McDance Mayer-Chaffaud, Edd Wubbe, Roberto Zappalà, Amos Ben-Tal, Dali Touiti, Dans Ateliér Rotterdam, Periferic Berlin – Bogotá, Hans Otto Theater and many others. With her first own creation, in 2013 – under the name of Luana Rossetti – Noas Cia. she receives the production support from different Theatres in Germany, since then her works are constantly invited to perform at many festivals in Europe and over the seas. Since 2015 Luana receive grants by different Cultural Ministries and Production Houses over Europe as Berlin Senate, Location X, Gap.Change.Now – MiBACT, and keeps creating and touring with her works sustained by different production houses as Oplas CRDU.

Luana is allied to Anja Kozik, Artistic Director of Waschhaus Potsdam as an Artist in residence and as a collaborator for Oxymoron DC. Luana is inquired to implement her class at different Professional dance Academies and formations over Europe as well she is a docent at Universities and Gymnasium in the department of Dance.

Contemporary – The physical Performance

The class developes through exercise in which we focus on the comprehension of spyrals generation, in orther to reach the maximum performance with the less fatigue.

Through different combinations, the class explores a wide vocabulary of movements coming from different Contemporary techniques integrating elements and principals of other disciplines as capoeira and breakdance.

The class develops synergies through space and different dynamics using the full body possibilities, each exercise concentrates explosion of energies in concomitant with the control.
The movement associations we converge during the class appear to be unnatural but thanks to the spyral`s producing key point we disocover new poossibilites of taking advantages from every movement choice.
Through the lesson we create many on and off balance situations widening up the body activity; therefore we work on the stablity and all the possible ways to catch the body before falling, we learn how to allow ourselves to let go – to body contraints and fears.

The lesson developes on different levels in space, from floor combinations to jumps, the sequences are created focusing on the relation of the core center to the ground, as all the movements we generate come from there as a first human natural contraction from the first breath, we unfold this principal independently from which composition we defy.