ONLINE WORKSHOP CUERPO PRESENTE: The Inner Beast

It is an opportunity that brings us into a reflection: where we stay together, we can face our fears, our reality, and create a new version of ourselves. From our bodies and movement, I hope, I can support you with clear subjects and intentions. Acceptance, strength, mental abilities, trust in yourself, and others. It is not just movement; we are mind, body, and spirit in constant transformation. Within these meetings, I invite you to move your body under the conscience of love.
(Please, scroll down for specific workshop subjects & details).

Date, time and prices:
28 TH & 29TH NOVEMBER. 2020
10:00 – 15:00 (10 Hours)

97 Euros
83 Euros, early pay before 2 weeks of the date
Old participants: 83 Euros until before 1 week of the date

Registration under:
lexfre@gmail.com

*Due to very limited number of participants, please reserve your seat beforehand.
*Your reservation will be completed only after half or full amount of payment has been made.
* Payment with cash at the door are accepted.
* Cancelation: In case you can not attend, please find the replacement yourself as your spot is fully transferable. Refunds at the present situation at last minute are no possible.
Thanks for your understanding

More about our meeting:
*Open to all levels & backgrounds in movement.
*Professional Dancers & movers are more than welcome. To face other “borders”.
The workshop seeks to offer a clear way to obtain knowledge and self-awareness through the body in movement. How can we find a bridge between reason and emotion? A conscious state of transformation of the interpreter. How to get the participants out of their everyday life and their seemingly "natural" way? And invites the artist - interpreters to get involved in that daily life and identify with the present.

The methodology physically: is developed through concrete patterns of improvisation in altered states with different body development and/into methods of meditation. Which are then framed in a real social context, or unreal. It is not just an improvisation; it is a conscious laboratory work using improvisation as a technical tool. The session will combine with other movement techniques and challenging task. It is a very physical research depending on your own level.

The methodology mentally: Alexander in the last eight years has emerged in the knowledge of ancestral cultures and other methods of communication, social development and listening. He has been certified in MBSR ("Mindfulness-Based Stress Reduction") by the Medicine School of Massachusetts. Carrillo also develops through meditation specific methods for body development and communication, complemented with his artistic knowledge such as choreographer, dancer and body techniques. Alexander explores the body from different perspectives of contemporary dance techniques and emotional states. As a support, a background in Colombian Folklore and Afro-contemporary. Creative techniques (awareness, improvisation, and composition). Theatre, Qigong and Kung Fu. Alexander has taught ‘CUERPO PRESENTE: The Inner Beast’ since 2009 in Belgium, Spain, Colombia, Mexico, and Germany.

Guidelines and aims developed during the practical process:
The body, being a wild animal in an emotional path.

• Tools of improvisation / decision making.
• Creative and practical elements in the research room.
• Create awareness of the body as a story / time construction in a space.
• Focus your attention on the "natural" character of your movements, authenticity.

• Awareness of the "Action - reaction".
• Space awareness: individual, public, collective and private.
• Better process your internal organic sensations.
• Personal knowledge through the spirit and meditation: rational control, trance, presence, resonance, dialogue, and stillness.

• Theoretical material and personal biography.
• Individual and group discussions.
• Performative guidelines, based on agreements established during each session.

Each one, from their own perspective and their experience, will illustrate the audience with their ideas, fears, insecurities, questions and contradictions. Together with the creation process, we will frame it in an actual social context. What reflection do we do? How do we reach a physical or emotional state and transform it without losing our essence, our spirit? What tools do we use? How to recreate a clear space in another symbolically and develop the ability to play with it?

Alexander believes life as a journey. During the journey, it is possible to identify emotions and themes, which are consciously transformed into performative states, physical risk, mental and spiritual practices.

Alexander Carrillo, Colombian-born and Berlin-based choreographer, dancer and maker. Carrillo focuses his artistic research on the 'ugly' and grotesque in humans, seeing it as a mirror of reality. He questions ideas of 'beauty' and the role of the audience in the performing arts. In this perspective, he is investigating the influence of indigenous traditions and customs in western societies, from the essence of pure rituals until contemporary fashion and pop cultures. His work is developed through historical research with a contemporary point of view, looking into the personal, social and political through an interdisciplinary approach.

Alexander having studied his diplom in Dance at the University Folkwang in Germany, did an Erasmus at ‘ArtEZ’, in Holland and at the University of Art ASAB in Colombia, (MA – emphasis in contemporary dance). Carrillo creates also open platforms for artists. In the last eight years has emerged in the knowledge of ancestral cultures and other methods of communication, social development and listening. He has been certified in MBSR ("Mindfulness-Based Stress Reduction") by the Medicine School of Massachusetts. Carrillo also develops through meditation specific methods for body development and, complemented with his artistic knowledge.

Launched the "DREIZIG Festival" in Berlin and DASEIN Series, site-specific world-project in 2012. His last pieces 'El Ultimo Vuelo', winner of the National competition of choreographers, Belgium 2017, 'Human Intermittents: A Journey' finalist of Choreographers competition, Poland 2014 and 'WhARTever Should Happen: Eine Welt Auf dem Kopf', Berlin 2016/17 and back in 2019, amount others dance pieces and art projects. Carrillo took part in 2018 of the price ‘flausen residence for young Artist’ Germany and at the Berlin Biennale with Okwui Okpokwasili. Has worked with Stella Zannou, Ivo Dimchev, Jérôme Bel, Louis Malvacias, Jeremy Nelson, Malou Airaudo, Rodolpho Leoni, Mark Sieczkerek, Henrieta Horn, Charles Vodoz and the Cie. Fors Works of Denmark, Cie. Toula Limnaios of Berlin, Theater Der Klänge Germany, and Deutsche Oper am Rhein. He has also collaborated with artists, including Marina Abramović, Art Collective Estereotips, Allora & Calzadilla, Reinhard Schiele, Veronica Moniello, Alejandro Huari and his dramaturg Carolina Ortega.

Since 2009, Alexander being developing his teacher training and research under the Motto “CUERPO PRESENTE: THE INNER BEAST”. Creating as natural interest exchanges of dialogue with young artists, and non-artists who are developing their own life in a present Culture and intercultural projects. Alexander has taught his research in Belgium, Spain, Colombia, Venezuela, Mexico and Germany. In Berlin is artist residence at DOCK11 since 2015 and teacher of Tanzfabrik, Marameo amount other studios

https://vimeo.com/alexandercarrillo
http://alexander-carrillo.com/
https://www.youtube.com/user/alexander1carrillo

“A conscious state of transformation. It invites us to get involved in that daily life and the present... ready to share our body memories, experiences, and love for our body, dance and movement.”

"I believe today´s world needs art to heal, needs art to heal our bodies from our souls. Art as a tool of transformation. From our inner feeling and sensations. From our inner beast, being present. With a conscience practice. (Is not easy - for sure is fun). Then there is not past to regret of, there is not present to be disappointed of or future to be worry about. Just moments of learning. Moments of understand our own world, our inner beast, and our own life. So long, we can share and maybe understand others world life. A present to life and future to create."
Alexander Carrillo

Workshop on Film-Choreography

4.-6. Dezember 2020, EDEN*****, Berlin

Movement seems to be the crucial common point between choreography and cinematography. But how can physical and cinematic movements be arranged, composed, and interwoven with each other?

We will discover the various methods and strategies which can be used to connect dance and film through a close and precise study of selected dance films and texts. By analysing the genesis, processes, and methods used in our examples, we will learn more about what I refer to as film-choreographic compositions.

The workshop is divided in four sessions, each accompanied by a selection of films and texts. The aim is to provide historical and conceptual knowledge on the hybrid film format, and to support the participants in the development and enhancement of their own ideas for dance films.

Venue
Eden Studios (Yogaraum) | Breite Strasse 43 | 13187 Berlin (Pankow)

Schedule
4.12.20: 6 pm – 9 pm
5. & 6.12.20: 10 am – 6 pm

Fee
150 €

Registration
info@sarahmoeller.de

The number of participants is limited to 10 persons to respect distancing rules. The workshop is especially aimed at berlin based people to avoid unnecessary travelling.

Adult educational offers are currently allowed in Berlin. We will implement all protective measures to be as safe as possible. Details will follow in an e-mail after your registration.

Sarah Möllerstudied media culture at Bauhaus-Universität Weimar, Université Lumière Lyon II and the University of Potsdam. Currently she is working on a PhD-Thesis at Freie Universität Berlin. Since 2012, she has been working for the international dance film festival POOL in Berlin. She is especially interested in the various ways of interweaving image and dance movement. Additionally, she has been invited as a film programmer, lecturer, and jury member for several international dance film festivals and exhibitions.

Photo: Still aus „The Girl Can’t Help It“ von Yoshiko Chuma

5 & 6 December 2020, 11:00h - 14:00h
95€
Max 16 persons

Inscriptions: lahincapiecharry@gmail.com

Place: DOCK 11 EDEN, Breite Strasse 43, 13187 Berlin
Studio 150.2

Bodies have their own language. They tell a story, and constantly seek to feel as alive and fluid as possible. Uncovering this fluidity gives us the potential to enrich our senses and imagination, to experience lightness and power, and to raise our self-awareness and the capacity for self-healing. How can we reconnect to my body’s language and fluidity?

We will take a journey through movement, dance, connecting and feeling, to explore the intricacies of our stories. Connecting conscious and unconscious movement, we will uncover delicate, pleasurable and powerful movements, without self-judgment. We will open doors to new places, awakening physical sensations, which can also work on an emotional level.

This workshop could help you navigate through feeling tired and heavy, feeling disconnected from your body or too much in your head, feeling blocked, suffering from chronic pain, or simply wanting to learn, move and explore.

Fluentbody is for people who want to take charge of their lives, and move out of the limitations of others’ expectations and how they are supposed to be and look. Through both individual sessions and group training, Fluentbody helps people to be generous to their body and mind, to develop a sense of what they want and don’t want, and to gain more of their own strengths and possibilities.

Florencia ( Uruguay / Israel) is based in Berlin.

Florencia Lamarca was born in 1981 in Uruguay. After receiving her final degree from the Mateh Asher School of Performing Arts in Israel, Florencia became a member of the Ensemble Batsheva touring throughout Europe, Japan and the United States until 2004. She then moved to Europe and collaborated with dance makers on numerous projects.  
Durning the years 2007 - 2019 Florencia was a guest performer at Sasha Waltz & Guests. Furthermore she was part of the production »Ein Sommernachtstraum« by Constanza Macras and Thomas Ostermeier at the Schaubühne am Lehniner Platz.

Along side her performativity work, Florencia has been choreographing her own work and collaborated with artists in Berlin and Europe. Her work was performed in RadialSystem and Dock11 amongst others.

She qualified as a Grinberg practitioner and Pantarei approach, and has since developed her own approach to healing drawing on her experience and knowledge.

Florencia brings 20 years of dance experience, primarily training and performing with Ohad Naharin of Gaga Movement, with having worked as a somatic practitioner since 2011. Florencia has been traveling the world teaching unique workshops combining her extensive knowledge of movement, her choreographic research and her somatic healing approach.

www.florencialamarca.com

Schedule
Monday February 15th, 2021 / 10 am - 4:00 pm.
Tuesday February 16th, 2021 / 10 am - 4:00 pm.
Wednesday February 17th, 2021 / 10 am - 4:00 pm.
To Apply: www.shareintensive.com

Price for 3 days / 195€
Places are limited to 25 and are allocated on a first come, first served basis to successful applicants.

International applicants are encouraged to apply although we are unable to cover travel or accommodation costs associated with attending the workshop.

Place: DOCK 11 EDEN Studios, Breite Strasse 43, 13187 Berlin

This three-day Intensive Workshop is a rare opportunity for professional dancers and performers to experience Lloyd Newson/DV8's unique working practice. It will be led by DV8's Creative Associate, Hannes Langolf. A physical contemporary class will be the foundation of each day and will lead into task based exploration, improvisation, voice work, and creative devising. There will be a strong emphasis on exploring the connection between meaning and movement - and understanding how body language influences performance. The workshop is not specifically based on one particular production, but aims to give participants the opportunity to encounter core elements, methods and skills from DV8’s working practice. Creative exploration will be a driving force during these three days, although specific excerpts of repertoire may be used for context. Participants will be encouraged to confront their physical habits and develop a strong sensibility for detail and authenticity in performance. The workshop is aimed at curious and committed performers who are keen to challenge and develop their physical training, performance and creative skills. The workshop will be delivered in English. This workshop will be operated within the German government COVID-19 guidelines effective as of February 2021. DV8 Physical Theatre (based in London, UK) is an equal opportunities organisation.

SHARE INTENSIVE BERLIN 2021
Take part of SHARE Intensive Berlin 2021 this coming winter in partnership with DOCK 11 EDEN *****

From our success since 2018, we are coming back to share with you the methodology and repertoire of Peeping Tom, Crystal Pite, Hofesh Shechter and Sharon Eyal.

Our collective made of dancers from Batsheva, L-E-V Sharon Eyal | Gai Behar, the Forsythe company, NDT, Peeping Tom and Hofesh Shechter company, will give you time to appreciate methods and repertoire workshops in the beautiful studio of DOCK 11 EDEN ***** SHARE Intensive organises two sessions per day to avoid overcrowding and we limit the places to 25 dancers only. We can not hold spots so your payment secures your place.

When: February 18th - 21st 2021

Where: DOCK 11 EDEN ***** Breite Str 43, 13187 Berlin Germany

Application: through our website : www.shareintensive.com

SCHEDULE

PEEPING TOM methodology and repertoire workshop 9 am - 1 pm / 2:30 pm - 6:30 pm.

February 19th 2021

CRYSTAL PITE methodology and repertoire workshop 9 am - 1 pm / 2:30 pm - 6:30 pm.

February 20th 2021

HOFESH SHECHTER methodology and repertoire workshop 9 am - 1 pm / 2:30 pm - 6:30 pm.

February 21st 2021

SHARON EYAL methodology and repertoire workshop 9 am - 1 pm / 2:30 pm - 6:30 pm.

Prices FULL SHARE INTENSIVE / 4 DAYS ( 16 hours of workshops ) PRICE: 395€ A LA CARTE 1 workshop 4h = 110€ 2 workshops 8h = 220€ 3 workshops 12h = 330€

Conditions: https://www.shareintensive.com/conditions 

Each day will be guided by a warm-up class and a deep work on multiple repertoires from Sharon Eyal’s masterpieces such as Untitled Black, Lost Cause, and House

This workshop will be operated within the German government COVID-19 guidelines effective as of April 2021. Places are limited to 25 participants and are allocated on a first-come, first-served basis to successful applicants.

Price for 3 days / 195€

Schedule

Friday April 2nd, 2021 / 10:30 am -  4:30 pm. 

Saturday April 3rd, 2021 / 10:30 am -  4:30 pm. 

Sunday April 4th, 2021 / 10:30 am -  4:30 pm.

To Apply: www.shareintensive.com

International applicants are encouraged to apply although we are unable to cover travel or accommodation costs associated with attending the workshop.

This three-day Intensive Workshop is a rare opportunity for pre-pro & professional dancers and performers to experience Crystal Pite/Kidd Pivot’s unique working practice. It will be led by former company member, Jiri Pokorny.

Where: DOCK 11 EDEN ***** Breite Str 43, 13187 Berlin, Germany

When: May 21st 23rd 2021

25 places only base on serve come first served.

This three-day Intensive Workshop is a rare opportunity for pre-pro & professional dancers and performers to experience Crystal Pite/Kidd Pivot’s unique working practice. It will be led by former company member, Jiri Pokorny.

SCHEDULE.

Friday, May 21st, 2021

10:30 am – 3:00 pm

Saturday, May 22nd, 2021

10:30 am 4:30 pm

Sunday, May 23rd, 2021

10:30 am 4:30 pm.

To register visit www.shareintensive.com

Costs for participants: 195€

Contact details: shareintensive@gmail.com
Phone & What’s app +4915227622917
https://www.facebook.com/Shareintensive/

For further information, please visit www.shareintensive.com